Nikon COOLPIX S8100

Fast. Powerful. Versatile.
10X Zoom. Full HD Movie. High Resolution Display.

Price$299.95^*

The Nikon COOLPIX S8100 combines 12.1-megapixels with a 10X wide Zoom-NIKKOR ED glass lens, covering 30-300mm. The S8100 also offers Optical VR Image Stabilization, high ISO sensitivity to 3200, and a new flash control system.

NIKON D5100

Creativity from any point of view

Stimulate your creativity. The NIKON D5100 offers a host of new photographic and video tools that deliver superior performance and exceptional image quality with surprising versatility. With 16.2 megapixels, a swivel Vari-Angle LCD monitor, full HD movie capabilities, new EFFECTS Mode and new HDR setting, you hold the power and performance to capture beautiful moments and the freedom to get creative.

 

Tell better stories

Full HD 1080p D-Movie with Sound

The D5100 delivers exceptionally high-quality movie performance due to its full HD capability while the latest in Full-time autofocus takes the guess work out of tracking your subjects while in motion. Effortless moviemaking is at your fingertip thanks to D5100's ergonomically placed Live View and Movie start button. Your D-Movies will come to life thanks to D5100's sound recording capability - get stereo sound with Nikon's optional ME-1 Stereo Microphone.

My Photo Is Being Used Without Permission: Now What?

Learn the essential steps for protecting your images

      By Carolyn E. Wright, Esq. on July 14, 2011

You’re sitting in your easy chair, surfing the web. You’re not paying much attention, until you see it. It’s your photo, but you did not post it on this website. You can’t believe someone used your photo without your permission. Now what? The next steps you take are important to protect your rights.Make Sure That the Use Is an Infringement

     

Related Topics:How-To,copyright,Legal,Legals,Photo Attorney

Photography

I am a freelens photographer living in Toronto, Ontario. I was born in 1953 and grew up in Montreal, Qubec. My love of photography has evolved over the years, and now seems to have branched out to the extreme sides of the spectrum. On one hand, I love doing big, epic digital composites. The possibilities are endless, as are the hours spent on it. It's an obsession, really.

On the other hand, I yearn for being outside, away from the computer, no lighting equipment, getting back to the kind of photography that got me started in the first place - shooting B/W film. Shooting with such limitations is very liberating.

Either way, as I move forward, I want to focus more and more on telling stories, not only with photographs, but with films as well. I love what I do! .